• Media – Some scanners are only capable of scanning a single format, and so you need to decide what you want to scan. Will it just be photographs, and if so, will they be larger than 8 x 10 inches? Will you solely be scanning film? Maybe you will need to work with both formats? Jan 1, 2019 - Design – Flatbed is the better option for photo scanning, and is the most common design for this type of scanner. The reason for this is that. There are plenty of options that do one or the other, and several that can handle both types of media, so this will start to help you narrow down your choices. • Design – Flatbed is the better option for photo scanning, and is the most common design for this type of scanner. The reason for this is that running a delicate photo through a sheet-fed document scanner is more likely to damage the item, even if you’ve put it in a sleeve first. If you’re only intending to use the scanner for photos that aren’t sentimental or delicate, sheet-fed might be fine: just take care when operating it. • Speed – If you’re planning on using a scanner for large archiving projects, or you think you’ll use it regularly, it’s worth paying more for a faster model. The fastest scanners on the market right now can handle one photo every second, but you’ll pay a premium for this convenience. Stick to cheaper, slower options if you have plenty of time or not many photographs to scan. • Software – Hardware is often the same in photo scanners, so it’s the software that tends to differ. Kodak’s Digital ICE software features within many scanners on the market right now, and manufacturers pay different levels of royalties depending on whether they buy the basic or premium option from Kodak. This is what often affects the price of a scanner, so if you’re going to rely on inbuilt software to touch up images it’s worth paying more for the premium option. Ganool semi indonesia. ![]() SilverFast is also a big name in scanning software, so keep an eye out for this. The higher-end offerings provide color calibration, which is a big draw for serious users. • Resolution – Decide how much detail you need from your images, and how you plan to use the scans. If they’re just for web usage you can cope with lower resolutions, but for print you’ll need more dots-per-inch (dpi) to ensure that your images look crisp and clean. If your needs are just general use such as backing images up or using them for websites, you’ll get plenty of detail from between 300 and 1200dpi. If you intend to enlarge your images or use them as prints, you’ll need to be looking at 3200dpi at the very least. • Bit depth – This refers to the depth at which a scanner reads an image, and will affect the color accuracy in your scanned image. As above, the bit depth you require depends on how you intend to use the scanner. For general use, 24-bit is plenty but you might want to go for 30-bit if you want high-quality images. If you’re scanning blacks and white images you’ll need a higher bit depth to give you better images, so in this case go for a scanner that has 30-bit color and at least 12-bit gray. If you’re a serious photographer wanting to scan professional-quality photographs and positive and negative film, this is the model for you. Replacing ’s early V7000, it offers many of the same feature but with improved performance such as an LED light source which eliminates warm up time and therefore increases the scanning speed. Promising to deliver precise color and detail, the maximum 6,400dpi optical resolution provides excellent professional-quality clarity to your digitalized images, and the 4.0 Dmax rating delivers dynamic range that is extremely impressive. 48-bit depth also ensures that colors are incredibly accurate, so your scanned images perfectly replicate the originals. Epson provides four robust film holders for 35mm slides or film strips, medium format film up to 6 x 20 cm, and 4 x 5 inch film, and you can scan images up to 8 x 10 inches with the handy Film Area Guide. Setup is simple for such an advanced bit of kit, and the USB connection is good to go in minutes. Three modes give you the exact level of control that you want for your projects: Full Auto is comparable to the point-and-shoot mode on a camera and will do all the calculations for you, Home mode lets you adjust a few options such as brightness and contrast, and Professional mode puts you in charge. With this setting you can control tonal curve adjustments, color balance and much more. And, if your images are damaged or faded, Digital ICE will remove dust and scratches. The only real downside is that the V800 doesn’t come with any photo editing software, but if you’re paying for this level of quality it’s likely that you’ll have access to external software anyway. It’s also pretty bulky for a scanner and weighs in at over 14lbs. But, if you’re not planning on scanning on the move that won’t be an issue. The V700 is a strong option if you have a slightly smaller budget and can cope with a little less quality, and the V850 Pro comes with color-calibration software if you think it’s worth paying more to have this. But the V800 is truly our top pick for all-round excellence. If your images are all on film or slides rather than as photographs, there’s no point in paying for a scanner that can handle both formats.
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